Four Weddings in Four Weeks

Some people don't like attending weddings, but I love them. I see them as opportunities to dress up, take photos, get together with friends, and in some instances, reconnect with old ones. With my choral background and my current profession, I've also been asked to sing for many a ceremony and dinner reception; but whether I'm there as guest or as hired service, I try to enjoy every moment.

Every wedding has a distinct quality, because most of the time it reflects the personalities of the bride and groom. It may be grand or simple, of mixed religious denominations or races, in a church or on the beach -- one thing is always constant: and that's love between two people, witnessed by many more who love them. More than the fun, I always feel inspired and hopeful after every wedding.

I was blessed to start the year with, as the title suggests, four weddings, one for every weekend. Eight very different people, and four loving unions, in various locations. I attended a traditional Catholic one at a church, another on a beach, the third was on a garden by the bay, and the last was atop a hill.

Singing and dancing with the bride and groom at the center

On the first Saturday of January, one of my sisters from the UP Concert Chorus got married. At their dinner party, they asked us to help entertain their guests with a few love songs, but the best part was when both the bride and groom sang and danced with us. That is simply how we celebrate best.

Their dream wedding by the beach. Photo by Veejay Jimenez at Acuaverde Beach Resort

The Friday after that, one of my best girls from the same university choir tied the knot on the beach. "Twice a bridesmaid, never bride," is hopefully not true, because this was my sixth (6th!) time as bridesmaid! As with so many of my friends' weddings, I helped in the preparations from crafting bouquets, to putting make-up on some members of the entourage, and singing for the service and party (see us dance in the cut.)

Arm-in-arm with Chuck, determined to give the fiercest walk down the aisle =)

My handmade, personalized bouquet, labeled our mutual pet name, "Forvy" (short for Forever) 

Sparklers that evening, photo by Veejay Jimenez

My best Girlies, and their little Girlettes, with the new Missus in white the day after the wedding

Beautiful garden wedding that caught the sunset at the bay. Photo by Proud Rad, at Sofitel Philippine Plaza

I felt truly valued to be invited to such a small, intimate wedding, by one of my oldest and dearest friends. Aside from finally seeing her marry her love of almost a decade, I got to spend time with some friends whom I hadn't seen in a while. (See more of their gorgeous photos in Proud Rad's public album.)

Yesterday, I went to my fourth and final wedding of the month. The funny thing was, I saw the groom at the third (garden) wedding last week, and he asked if I could sing at church for his wedding in a week. After some last minute coordination, some of my friends from the Gala Quintet agreed to join me.

A quaint chapel on a hill in Montecito, Nuvali

Sunrise singers, the Gala Quintet *love*

Perfectly packed chapel

At this age, I have a better understanding for practicality, so I never take it personally when I'm not invited to friends' weddings; but consequently I have a deeper appreciation for when I am invited. I'm grateful for all my friends who have wanted me there on their special day. I have loved every single one, and continue to pray for their marriages and families.

Goodbye, January. You flew by wonderfully!

P.S. -- Funny, I saw through Timehop that in January 2015, I attended four weddings and a baby shower. This year, I attended four weddings and a baptism. I'm glad I always start the year with love and life.

A Night of A Capella: Akapela Open 2015

Taken from the Akapela Open Twitter account

The Akapela Open is a contemporary a cappella singing competition, created by the Music School of Ryan Cayabyab (TMSRC.) It has clearly promoted a cappella music and performance since its inception, because the contestants at last night's finals were of a much higher caliber. Still held at the Meralco Theater on its third year (the event is sponsored by the One Meralco Foundation,) the house was teeming with a cappella lovers before the show started. 

The Part 4, a male quartet who were all scholars of the TMSRC, kicked off the evening with introductions and a medley of songs that, in retrospect, were some of the songs sung by the contestants that evening. It provided an overture for the rest of the night; and they sounded so good, they got me rightfully excited for the finalists' presentations.

Part 4: hosts, singers, comedians

I'm not sure if my memory serves me right, but I recognised 6 out of the 10 groups' names, meaning they had already participated in the previous years. I was disappointed that some groups were missing from the line-up (like my friends from 1415, who bagged the Best Vocal Arrangement and 2nd Runner-Up in 2013,) but I had some of my other favorites in the competition that I was still rooting for. 

Waiting for the show to begin

The finalists, in the order that they performed, were D' Mortal Instruments, 10,000, Mouthfools, Voices, Five Percent, Acapellago, Iskala, G Harmonic, Pinopela, and Dynamix. I commend all the groups who joined, because I know that a cappella isn't easy. It takes a lot of time to arrange a piece, learn an individual part, color it with different vocal productions, then try to make sense of it all when the group comes together. It sounds like a lot of work, and it is; but the pay-off is euphoric, at least for me. Maybe that's why I've joined choirs since I was a child, attempted to form singing groups with high school classmates, trained and toured with the University of the Philippines Concert Chorus for most of my college life, enjoyed singing stints with a handful of friends, and eventually ended up singing professionally with the Ryan Cayabayab Singers. It's no exaggeration when I say that I feel closer to God when I sing in beautiful harmony with other people. That's why I think everyone last night was already a winner even before the show began. They had already accomplished so much in preparing for that endeavour. 

Loved these girls in pink from Voices

That said, it was still a competition, and it was evident who were confident in their craft the moment the first notes were sung. Un/fortunately, every detail that they decided to showcase affected their entire package, from choice of songs, clarity, and costumes, to blocking and choreography; if those things complemented their talents, then this allowed the groups to shine. The downside is that those who sang arrangements that were too complex for their level, wore ill-fitting or uncomfortable clothing, or those that attempted choreography but were awkward in its execution could not be ignored either. 

This year, one requirement was to sing a song from the Philippine Popular Music Festival's (Philpop) repertoire. There were duplicates in their choices, with Joey Ayala's "Papel," Thyro and Yumi's "Triangulo," and Jungee Marcelo's "Salbabida" performed twice each. I loved the simplicity of Voices' "Pansamantagal," which suited their pretty-in-pink ladies so well. There were fun parts in G Harmonic's "Musikaw," especially the rap and the fade out before the final chorus. Pinopela's "Salbabida" with it's wide chords and long vowels was so broad, thick, and powerful; and Acapellago's "Triangulo" really knew how to build a climax with that no-beatbox break. I liked how Dynamix's arrangement of "Papel" was so fresh and inventive (though it reached a point when it deviated too much from the original for my taste.) These were the arrangements that stood out for me, for no reason other than it matched their capacity to execute; and I think this is something that future contenders should consider from the very start. 

Thyro & Yumi singing "Dati" for the intermission

I was betting on the same winners, though I wanted Pinopela to place first runner up. There was something about their classiness that just permeated throughout their music and movements. They stuck to blockography, ditching the fancy dance moves, but they walked with such confidence that every formation appeared grand. What I liked about Dynamix, whose style and fondness for the semi-chromatic harmonic runs (much like Pentatonix) was that they knew how to play with their voices to imitate instruments for the back-up parts. They also live up to their name, and manage their dynamics really well, swelling and hushing in perfect sync. 

Pinopela in clean pantsuits

The champs: Acapellago

But winners are winners for a reason. Acapellago had everything a contemporary a cappella group should have: excellent musicality, creativity in their arrangements, soloists with limitless vocal abilities, sensitivity to their group's balance, energy, flair, and character! The beatboxing gave just the right percussive depth to their songs, an amazingly accurate likeness to real drums. All the singers fit like pieces of a puzzle, properly indistinguishable as individual voices, until the need to provide an extra pop or element of surprise. Lastly, that tenor soloist. He was oozing with personality, from the tips of his curly hair right down to his fingertips. You know that saying, "Anything a man can do, a woman can do better?" Well, this guy makes me think, "Anything a woman can do, a fabulous gay guy can do better!" 

In the end, I only wish they'd figure out how to get the results out faster; because while the crowd enjoyed the antics of Part 4, there was a palpable drop in attention and excitement when it took more than 30 minutes to announce the winners. Despite that, I think the audience expected who would finish on the podium, and it was a joyful end for everyone on and off stage. As Acapellago reprised their performance, enjoining the contestants to snap and clap behind them, everybody sang along and just had fun -- which is what the Akapela Open is all about.

Reprise of "Burlesque," all the finalists snapping behind them

If you're interested in joining next year's Akapela Open, visit their website www.akapelaopen.com and "like" their Facebook page to be notified on the call for auditions. The grand prize this year was P300,000.00, and P150,000.00 and P100,000.00 for the 1st and 2nd runners up. P30,000.00 was awarded to all finalists, with special prizes from PLDT Telpad, and a People's Choice Award.